#Thriller #BlogTour #BookReview & #Excerpt| Local Woman Missing by Mary Kubica

Thank you to Harlequin Trade for my spot on this blog tour.
Local Woman Missing
Mary Kubica
On Sale Date: May 18, 2021
9780778389446, 0778389448
$27.99 USD, $34.99 CAD
Fiction / Thrillers / Psychological
352 page

People don’t just disappear without a trace…
Shelby Tebow is the first to go missing. Not long after, Meredith Dickey and her six-year-old daughter, Delilah, vanish just blocks away from where Shelby was last seen, striking fear into their once-peaceful community. Are these incidents connected? After an elusive search that yields more questions than answers, the case eventually goes cold.
Now, eleven years later, Delilah shockingly returns. Everyone wants to know what happened to her, but no one is prepared for what they’ll find…
In this smart and chilling thriller, master of suspense and New York Times bestselling author Mary Kubica takes domestic secrets to a whole new level, showing that some people will stop at nothing to keep the truth buried.

Buy links:

Amazon ▪️ Barnes & Noble ▪️ Bookshop ▪️ IndieBound ▪️ Libro.fm ▪️ Books-A-Million ▪️ Target ▪️ Walmart ▪️ Indigo ▪️ Kobo ▪️ AppleBooks ▪️ Google Play

Goodreads’ Rating: ☀️☀️☀️☀️☀️

Local Woman Missing by Mary Kubica confirms, for me, this author’s new placement on my auto-buy list. This thriller story about two missing women and a few missing children blew my mind with its delivery and revelations. So much so that I have been having difficulty finding the words for a non-spoiler review.

What I Loved

I both loved and at times grew weary of the multiple narrators and dual timeline, but by the end, I realized that it all works together just right to keep the ending as jaw-dropping as it could be. And, let me tell you, it is jaw-dropping. The kind of jaw-dropping that has you flipping back through the book, wondering how this could possibly be right and true. I’m so seldom shocked that a book automatically goes high on my list when it does happen. I had my speculations, but they were so outlandish compared to the actual conclusion, which made it even more ingenious for me.

I loved the characters, which were so incredibly complex that it’s one more thing I’m at a loss for words to describe. And that includes all the characters, not just the main ones. The consequences of one tragic decision lead to character development for many that became gloomy tales in their own right. How people grow and change when they have to deal with the unimaginable is multi-faceted and intricate, which I experience clearly in this story. I don’t know that I came out of this story with a favorite character, but I felt like I understood each one and the choices – right or wrong – that they made along the way.

The story is every inch character-driven, and at times can be pretty intense as I wondered what more was going to be heaped onto the pile of dung left from bad decisions after bad decisions. The narration and dual timelines were confusing initially. Still, it did not take me long to acclimate to it and discover that every aspect and both periods are integral to the story. There is nothing extra about any element, even though it may seem like it before you get to the end.

To Read or Not to Read

If you enjoy an excellent thriller, particularly of the domestic thriller sub-genre, you will not want to miss Local Woman Missing by Mary Kubica this summer!

Mary Kubica is the New York Times and USA Today bestselling author of six novels, including THE GOOD GIRL, PRETTY BABY, DON’T YOU CRY, EVERY LAST LIE, WHEN THE LIGHTS GO OUT, and THE OTHER MRS. A former high school history teacher, Mary holds a Bachelor of Arts degree from Miami University in Oxford, Ohio, in History and American Literature. She lives outside of Chicago with her husband and two children. Her last novel THE OTHER MRS. was an instant New York Times bestseller; is coming soon to Netflix; was a LibraryReads pick for February 2020; praised by the New York Times; and highly recommended by Entertainment Weekly, People, The Week, Marie Claire, Bustle, HelloGiggles, Goodreads, PopSugar, BookRiot, HuffingtonPost, First for Women, Woman’s World, and more. Mary’s novels have been translated into over thirty languages and have sold over two million copies worldwide. She’s been described as “a helluva storyteller,” (Kirkus Reviews) and “a writer of vice-like control,” (Chicago Tribune), and her novels have been praised as “hypnotic” (People) and “thrilling and illuminating” (Los Angeles Times).  LOCAL WOMAN MISSING is her seventh novel. 

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The text comes from a number I don’t know. It’s a 630 area code. Local. I’m in the bathroom with Leo as he soaks in the tub. He has his bath toys lined up on the edge of it and they’re taking turns swan diving into the now-lukewarm water. It used to be hot, too hot for Leo to get into. But he’s been in there for thirty minutes now playing with his octopus, his whale, his fish. He’s having a ball.

Meanwhile I’ve lost track of time. I have a client in the early stages of labor. We’re texting. Her husband wants to take her to the hospital. She thinks it’s too soon. Her contractions are six and a half minutes apart. She’s absolutely correct. It’s too soon. The hospital would just send her home, which is frustrating, not to mention a huge inconvenience for women in labor. And anyway, why labor at the hospital when you can labor in the comfort of your own home? First-time fathers always get skittish. It does their wives no good. By the time I get to them, more times than not, the woman in labor is the more calm of the two. I have to focus my attention on pacifying a nervous husband. It’s not what they’re paying me for. 

I tell Leo one more minute until I shampoo his hair, and then fire off a quick text, suggesting my client have a snack to keep her energy up, herself nourished. I recommend a nap, if her body will let her. The night ahead will be long for all of us. Childbirth, especially when it comes to first-time moms, is a marathon, not a sprint. 

Josh is home. He’s in the kitchen cleaning up from dinner while Delilah plays. Delilah’s due up next in the tub. By the time I leave, the bedtime ritual will be done or nearly done. I feel good about that, hating the times I leave Josh alone with so much to do. 

I draw up my text and then hit Send. The reply is immediate, that all too familiar ping that comes to me at all hours of the day or night. 

I glance down at the phone in my hand, expecting it’s my client with some conditioned reply. Thx. 

Instead: I know what you did. I hope you die. 

Beside the text is a picture of a grayish skull with large, black eye sockets and teeth. The symbol of death. 

My muscles tense. My heart quickens. I feel thrown off. The small bathroom feels suddenly, overwhelmingly, oppressive. It’s steamy, moist, hot. I drop down to the toilet and have a seat on the lid. My pulse is loud, audible in my own ears. I stare at the words before me, wondering if I’ve misread. Certainly I’ve misread. Leo is asking, “Is it a minute, Mommy?” I hear his little voice, muff led by the ringing in my ears. But I’m so thrown by the cutthroat text that I can’t speak. 

I glance at the phone again. I haven’t misread. 

The text is not from my client in labor. It’s not from any client of mine whose name and number is stored in my phone. As far as I can tell, it’s not from anyone I know.

A wrong number, then, I think. Someone sent this to me by accident. It has to be. My first thought is to delete it, to pretend this never happened. To make it disappear. Out of sight, out of mind. 

But then I think of whoever sent it just sending it again or sending something worse. I can’t imagine anything worse. 

I decide to reply. I’m careful to keep it to the point, to not sound too judgy or fault-finding because maybe the intended recipient really did do something awful—stole money from a children’s cancer charity—and the text isn’t as egregious as it looks at first glance. 

I text: You have the wrong number. 

The response is quick. 

I hope you rot in hell, Meredith. 

The phone slips from my hand. I yelp. The phone lands on the navy blue bath mat, which absorbs the sound of its fall. 


Whoever is sending these texts knows my name. The texts are meant for me. 

A second later Josh knocks on the bathroom door. I spring from the toilet seat, and stretch down for the phone. The phone has fallen facedown. I turn it over. The text is still there on the screen, staring back at me. 

Josh doesn’t wait to be let in. He opens the door and steps right inside. I slide the phone into the back pocket of my jeans before Josh has a chance to see. 

“Hey,” he says, “how about you save some water for the fish.” 

Leo complains to Josh that he is cold. “Well, let’s get you out of the bath,” Josh says, stretching down to help him out of the water. 

“I need to wash him still,” I admit. Before me, Leo’s teeth chatter. There are goose bumps on his arm that I hadn’t noticed before. He is cold, and I feel suddenly guilty, though it’s mired in confusion and fear. I hadn’t been paying any attention to Leo. There is bathwater spilled all over the floor, but his hair is still bone-dry. 

“You haven’t washed him?” Josh asks, and I know what he’s thinking: that in the time it took him to clear the kitchen table, wash pots and pans and wipe down the sinks, I did nothing. He isn’t angry or accusatory about it. Josh isn’t the type to get angry. 

“I have a client in labor,” I say by means of explanation. “She keeps texting,” I say, telling Josh that I was just about to wash Leo. I drop to my knees beside the tub. I reach for the shampoo. In the back pocket of my jeans, the phone again pings. This time, I ignore it. I don’t want Josh to know what’s happening, not until I get a handle on it for myself. 

Josh asks, “Aren’t you going to get that?” I say that it can wait. I focus on Leo, on scrubbing the shampoo onto his hair, but I’m anxious. I move too fast so that the shampoo suds get in his eye. I see it happening, but all I can think to do is wipe it from his forehead with my own soapy hands. It doesn’t help. It makes it worse. 

Leo complains. Leo isn’t much of a complainer. He’s an easygoing kid. “Ow,” is all that he says, his tiny wet hands going to his eyes, though shampoo in the eye burns like hell. 

“Does that sting, baby?” I ask, feeling contrite. But I’m bursting with nervous energy. There’s only one thought racing through my mind. I hope you rot in hell, Meredith. 

Who would have sent that, and why? Whoever it is knows me. They know my name. They’re mad at me for something I’ve done. Mad enough to wish me dead. I don’t know anyone like that. I can’t think of anything I’ve done to upset someone enough that they’d want me dead.

I grab the wet washcloth draped over the edge of the tub. I try handing it to Leo, so that he can press it to his own eyes. But my hands shake as I do. I wind up dropping the washcloth into the bath. The tepid water rises up and splashes him in the eyes. This time he cries. 

“Oh, buddy,” I say, “I’m so sorry, it slipped.” 

But as I try again to grab it from the water and hand it to him, I drop the washcloth for a second time. I leave it where it is, letting Leo fish it out of the water and wipe his eyes for himself. Meanwhile Josh stands two feet behind, watching. 

My phone pings again. Josh says, “Someone is really dying to talk to you.” 

Dying. It’s all that I hear. 

My back is to Josh, thank God. He can’t see the look on my face when he says it. 

“What’s that?” I ask. 

“Your client,” Josh says. I turn to him. He motions to my phone jutting out of my back pocket. “She really needs you. You should take it, Mer,” he says softly, accommodatingly, and only then do I think about my client in labor and feel guilty. What if it is her? What if her contractions are coming more quickly now and she does need me? 

Josh says, “I can finish up with Leo while you get ready to go,” and I acquiesce, because I need to get out of here. I need to know if the texts coming to my phone are from my client or if they’re coming from someone else. 

I rise up from the floor. I scoot past Josh in the door, brushing against him. His hand closes around my upper arm as I do, and he draws me in for a hug. “Everything okay?” he asks, and I say yes, fine, sounding too chipper even to my own ears. Everything is not okay. 

“I’m just thinking about my client,” I say. “She’s had a stillbirth before, at thirty-two weeks. She never thought she’d get this far. Can you imagine that? Losing a baby at thirty-two weeks?”

Josh says no. His eyes move to Leo and he looks saddened by it. I feel guilty for the lie. It’s not this client but another who lost a baby at thirty-two weeks. When she told me about it, I was completely torn up. It took everything in me not to cry as she described for me the moment the doctor told her her baby didn’t have a heartbeat. Labor was later induced, and she had to push her dead baby out with only her mother by her side. Her husband was deployed at the time. After, she was snowed under by guilt. Was it her fault the baby died? A thousand times I held her hand and told her no. I’m not sure she ever believed me. 

My lie has the desired effect. Josh stands down, and asks if I need help with anything before I leave. I say no, that I’m just going to change my clothes and go. 

I step out of the bathroom. In the bedroom, I close the door. I grab my scrub bottoms and a long-sleeved T-shirt from my drawer. I lay them on the bed, but before I get dressed, I pull my phone out of my pocket. I take a deep breath and hold it in, summoning the courage to look. I wonder what waits there. More nasty threats? My heart hammers inside me. My knees shake. 

I take a look. There are two messages waiting for me. 

The first: Water broke. Contractions 5 min apart. 

And then: Heading to hospital.—M. 

I release my pent-up breath. The texts are from my client’s husband, sent from her phone. My legs nearly give in relief, and I drop down to the edge of the bed, forcing myself to breathe. I inhale long and deep. I hold it in until my lungs become uncomfortable. When I breathe out, I try and force away the tension. 

But I can’t sit long because my client is advancing quickly. I need to go.

Excerpted from Local Woman Missing @ 2021 by Mary Kyrychenko, used with permission by Park Row Books.

25 Replies to “#Thriller #BlogTour #BookReview & #Excerpt| Local Woman Missing by Mary Kubica”

  1. Anyone else notice how popular dual timeline and multiple pov combinations have become? Is that a new thing.. or did I just never notice before?

    Liked by 3 people

      1. Glad it’s not just me!
        Some of them are done Really well but, geez, some are just confusing. 😆😅

        Liked by 1 person

    1. It’s always been a thing but I think it’s being used more and more frequently. I used to hate it but now I’ve grown used to it. I guess that itself shows it happens a lot ❤️

      Liked by 1 person

      1. I agree! I just started picking up reading again about eight months ago and there have been a Lot of changes to the book world. They aren’t kidding when they say ‘short chapters’ these days! 😂

        Liked by 1 person

  2. I have recently been loving books with multiple person narrative and I also love mysery books so I’m going to have to check it out!

    Liked by 3 people

  3. Great review! I also love the excerpt, now I am even more curious about the book~ Hopefully my library gets it (probably in Dutch though, but I will take it).

    Liked by 1 person

    1. Thank you 🥰. I love including an excerpt. I wish I could for all books I review. I know excerpts help me decide whether or not I will like a book.

      I wonder how the translation will be. Do you find that books lose something in translation or that they translate pretty spot on?

      Liked by 1 person

      1. You’re welcome! It is a great idea to do that, as I also have the same. I always love finding excerpts to see if the writing style/story is something I would enjoy!

        It depends per translator. I have read some translated books here that were perfect and spot on and also kept their emotions and all the feelings. But I have also read translated books in which the translator just translated the book word to word and in those things get lost. It also depends on the genre. I have read some books that were humour, but the jokes just felt flat because they missed that key pun or key part that made it funny.


    1. I know, right? I had all of these crazy theories and was trying to match people who were involved and children with potential fathers…kapow! … there went my poor brain. Lol. 🤣


    1. It is very very good. Mary Kubica always delivers a story you can’t put down but that aren’t too graphic or gruesome. Her books are always a good choice! ❤️

      Liked by 1 person

  4. This sounds really good. I love dual timelines and multiple narrators, so I’m going to have to check this one out. Excellent review, Tessa!

    Liked by 2 people

    1. Mary Kubica always delivers. I think you’d enjoy it as it’s just right in every aspect. ❤️

      Liked by 1 person

  5. Love the way this one sounds, Tessa! I’ll be adding it to my list. I guess it’s time to add a new section to my GR shelves with your name on it. Thanks! 😉

    Liked by 1 person

    1. Lol. The Tessa shelf. 😍😍😍. It is such a great thriller. I can’t sing Kubica’s praises loud enough for her skill in delivering the whole package.

      Liked by 1 person

  6. I was going to listen to this one, but now I am a bit concerned that I might not be able to follow it. I have the ebook as well, so I will be doing a read/listen for this one. I hope I enjoy it as much as you did Tessa.

    Liked by 2 people

    1. I wonder if it has different narrators for the different POVs. Just thinking what the audio would be like, I’d think that it may be the factor that makes it easy to follow or hard to follow – at least at first. Hope you enjoy!

      Liked by 1 person

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